Obscura Photo Festival is an annual photography festival that is held yearly at Georgetown, Penang. It is currently in it’s 4th edition which is also the number of time that I had missed the festival. I nearly missed the recent edition and somehow managed to salvage the remaining few days of the festival.
Like any other International Photo festival, it has became a great stop for a gathering among International photographer community prior to the upcoming Angkor Photo Festival this November. The festival has certainly grown a lot compared to its first edition where there is more serious photography discussion with the participant and at the same time with the public. It has also manage to brought in some great name in Contemporary Photography to share their view on current issues and also their perspective on their own work.
Among the program on the list that really capture my attention is the talk from Shahidul Alam on “Finding New Narratives in Photography.” and of course the International Photobook show. I missed the talk due to my commitment for my University Faculty programs but somehow able to drop by for the International Photobook Show at INCH.
The Photo Festival starts on 15th August until 31 August although the first few days are for the Masterclass workshop while the exhibition is open to the public on 19th August 2016.
On 24 August, I finally managed to get myself free and spent the rest of the day solely for the Photo Festival. The morning was terrible as I was staying up late that night and only to get lost on my way to INCH.
When I arrived there, the talk was already halfway through and the atmosphere were rather serious with a few casual laugh in between. Most of them are totally focus on the talk while some other were browsing through the books that is on display. A scan through the room shows a few people that I knew online mainly Daniel Boetker-Smith from Asian-Pacific Photobook Archives and also Sim Chi Yin who is rather famous recently with her works from China (I am a fan of her work). I didn’t notice anyone familiar until Alvin (a friend from KL who joined the masterclass workshop) say Hi to me.
The first talk was done by Teun Van der Heijden, famously known for his photobook design ‘Black Passport’ for Stanley Greene. He is a creative designer that works on photography editing and photobook design and to summarize his talk, it was more about how, why, and his preference in making a photobook. The talk was interesting as he keeps on showing example from his previous work (which is available on display during the International Photobook Show). There was a few interesting point that were discussed which I wish I did a recording of it. It was on how he recently working with a fine art photographer to conceive a photobook while despite all this, he still prefer or rather, more comfortable to work with Photojournalism type of work. There was also something that he mentioned on how working with the two genre is different and what we can learn from this and reapply to any other project in terms of visual presentation or impact.
Of course, the Q&A session were ruthless and perhaps rightly so since we are surrounded with talented photographers of such high caliber.
After the first talk were done, everyone were going downstairs to take their lunch. I already taken mine so I decided to spent my time browsing through the books that is on display. The main objective to go to such event was to gain inspiration and I am taking my time to go through someone else photography zine and dummy book. Not to mention some rare and expensive books as well.
There was also a number of photobook on display and particularly those finalist and winner that have won some ‘Photobook Award of the year‘, can’t seems to recall the name of the award though. Just to name a few, there was also the super expensive Henri Cartier Bresson recently republished photobook ‘The Desicive moment’, the writing were good but I still can’t understand why it was that ‘famous’.
The second talk of the day is by Daniel Boetker-Smith, an enthusiastic photographer/educator from Australia. I knew him from Photobook Australia and he is also the Director for Asian Pacific Photobook Archive, big stuff.
Throughout the talk, he discuss the current state of Photobook market especially in Asia and how aspiring Photographer that want to publish a photobook can do so for themselves. There was also some discussion on the pro’s and con’s of self publishing where opinion were threw in by some of the audience. Since I had no such intention to do a photobook at the moment, I tend to ignore the whole talk apart from the Asian Pacific Photobook Archive effort in promoting photographer work to a wider audience.
A summary on what Asian Pacific Photobook Archive has been trying to achieve in the past few years is to promote the joy of Photobook viewing in a form of travelling mini library. This is achieved by joining/involved in as much Photo Festival that they can afford to. Through their effort, there is some Photography project that manage to capture the attention of a Publisher and from what they said, there is a follow up collaboration with the photographer.
The next program of the day is the Projection Night “Judgement of Line Orientation” curated by Anshika Varma, which if I was not mistaken, a Photo Editor for NGEO India.
One irritating things that I don’t really like with the Photo festival is that the programs doesn’t start punctually. But this is understandable and can be well tolerated as most of the participant and audience has probably been tired from following all the program for the past few days.
Before the projection night starts, they were giving out some handouts that gives some short description on the selected photography works and also the curator statement on the slideshow.
Here are some of the short writings on the projection;
“Judgement of Line Orientation stems from exploring social structures created for people to find a sense of belonging as a community. The works included explore and question the act of creating such norms. These questions become more relevant in the context of our current times when constructs are blatantly exploited by the politics of nations and its powerful to divide. The photographic interrogations included draw from a strong base in the photographers personal thoughts or politics. For the curator, it questions the need and relevance of these structures and its impact on how we choose to live our lives today. The curation questions the formation of our multipletures and its impact on how we choose to live our lives today. The curation questions the formation of our multiple identities for nations, religions, mythologies, families and gender homogenization and its subsequent politics.”
- Aapo Huhta – Ukkometso
- Alejandro Chaskielberg – Otsuchi Future Memories
- Andre Fernandes – Killing Kittens
- Diego Moreno – Guardians of Memory
- Dragana Jurisic – Yu the Lost Country
- Kosuke Okahara – Ibasyo
- Laurence Rasti – There are no homosexual in Iran
- Magda Biernat – Adrift
- Vasantha Yogananthan – Early Times
- Yoshikatsu Fuji – Red String
The projection showcase a bunch of visually interesting narratives that really challenge the common society thought on a bunch of issues such as cultural minority, mentally challenged, and also towards understanding the common theme such as love. There is a lot to learn from it as well and hopefully it could go through (in some way) to the works that I had been working on myself.
After the projection night was done, I was somehow been able to join a group of friend for late supper before taking our time to take pictures of some people burning offering to the god. It’s that time of the month in Chinese Calendar and the whole town seems geared towards it as well.
Another late night stay before tomorrow.